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Track Listing

Crux fidelis, inter omnes, hymn (GR 182)
Ave Maria… virgo serena, motet for 4 parts
Missa “Gloria Tibi Trinitas” for six voices: Sanctus (extract)
Christe Jesu, pastor bone, antiphon for 5 voices (lacks tenor part)
In manus tuas, motet for 5 voices, P. 202
Laudibus in sanctus (also anthem “Praise the Lord among His Holy ones”), motet for 5 voices (SSATB)
Missa Aeterna Christi munera, for 4 voices: Agnus Dei
O magnum mysterium, motet for 4 voices
Vespro della Beata Vergine, for chorus & instruments, SV 206: Laudate pueri Dominum
Jonas, oratorio for soloists, double chorus, 2 violins & continuo: Recitative. Et crediderunt Ninevitea…
Jonas, oratorio for soloists, double chorus, 2 violins & continuo: Chorus of Ninevites. Peccavimus, Domine…
Die mit Tränen säen, motet for 2 sopranos, alto, tenor, bass & continuo, SWV 378 (Op. 11/10)
Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435: Die Weisen (The Wise Men)
Salve Regina à 3 choeurs, motet for for 3 choruses & continuo, H. 24
O God, the King of Glory, anthem for voices
Hosanna to the Son of David, anthem for 6 voices
O God, Thou hast cast us out, anthem for 2 sopranos, 2 altos, tenor, bass, 6-part chorus & organ, Z. 36
Cantata No. 80, “Ein feste Burg ist unser Gott,” BWV 80 (BC A183): Chorus. Ein feste Burg ist unser Gott
Cantata No. 80, “Ein feste Burg ist unser Gott,” BWV 80 (BC A183): Chorale. Und wenn die Welt voll Teufel wär
Cantata No. 80, “Ein feste Burg ist unser Gott,” BWV 80 (BC A183): Chorale. Das Wort sie sollen lassen stahn
Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7): Evangelist. Da Jesus geboren war zu Bethlehem…
Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7): Chorus. Wo ist der neugeborne König der Jüden?
Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7): Dein Glanz all Finsteris verzehrt…
Te Deum (Dettingen) for soloists, chorus & orchestra in D major, HWV 283: O Lord, in thee have I trusted
Samson, oratorio, HWV 57: Aria and Chorus: Let the bright seraphim…
Mass No. 17 for soloists, chorus & orchestra in C minor (fragment, “Great Mass”), K. 427 (K. 417a): Gloria in excelsis
Mass for soloists, chorus, organ & orchestra in D minor (“Lord Nelson”), H. 22/11: Benedictus: Benedictus qui venit
Mass for soloists, chorus, organ & orchestra in D minor (“Lord Nelson”), H. 22/11: Benedictus: Hosanna in excelsis
Die Schöpfung (The Creation), oratorio, H. 21/2: Aria and Chorus: Nun schwanden vor dem heiligen Strahle
Psalm 42 (“As pants the hart”), for soloists, chorus & orchestra in F major, Op. 42: Finale: Warum betrübst du dich
Os justi, gradual for chorus in Lydian mode, WAB 30
Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48: In Paradisum
Ein deutsches Requiem (A German Requiem), for soprano, baritone, chorus & orchestra, Op. 45: 4. Wie lieblich sind deine Wohnungen
Roméo et Juliette, for alto, tenor, bass, chorus & orchestra (“symphonie dramatique”), H.79 (Op. 17): Prologue: Latent Ancient Hatreds
Symphony No. 8 in E flat major (“Symphony of a Thousand”): Part 1. Hymnus: Veni, Creator Spiritus. Imple superna gratia
Symphony No. 8 in E flat major (“Symphony of a Thousand”): Part 1. Hymnus: Veni, Creator Spiritus. Veni, Creator Spiritus
The Blue Bird, Op. 119/3 (from 8 Part Songs)
Gloria, for soprano, chorus & orchestra, FP 177: Qui sedes ad dexteram Patris
Mass for soloists & chorus in G minor: Sanctus – Osanna I
Saint Nicolas, cantata for tenor, treble, choruses & orchestra, Op. 42: He Journeys to Palestine
Antiphon, for chorus & organ, Op. 56b
Cantate Domino, for SATB chorus or soloists & organ