In Paul Verhoeven’s appropriately shallow Hollow Man, Kevin Bacon plays a bad-boy egotistical scientist who heads up a double-secret government team experimenting with turning life-forms invisible. How do we know he’s a bad boy? Because he (a) wears a leather overcoat, (b) compares himself to God, (c) drives a sports car and (d) spies on his comely next-door neighbour while eating Twinkies. Sadly, this is the most character development anyone gets in this undernourished action/sci-fi thriller, which boasts some phenomenal, seamless and Oscar-worthy computer effects and some amazingly ridiculous plot twists. After experimenting rather ruthlessly on a menagerie of lab animals, Bacon finally cracks the code that will turn the invisible gorillas, dogs and so on back into their visible forms, and promptly volunteers as a human guinea pig. Sure enough he is rendered invisible, organ by organ, vein by vein, and then proceeds to spy on his female co-workers in the bathroom and molest his comely next-door neighbour.
Soon, Bacon is thoroughly psychotic, and it’s up to Elisabeth Shue (Bacon’s co-worker and ex-girlfriend) and hunky Josh Brolin (her current snuggle bunny) to defeat the invisible man, who’s picking off the science team one by one. You’d think this would be a prime opportunity for copious amounts of cheesy sex and aggressive violence–which Verhoeven served up so well and so exuberantly in Starship Troopers and Basic Instinct–but if anything, the director seems to tone down the proceedings, and really, who wants a muted Paul Verhoeven movie? –Mark Englehart,
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